A Hope to
Bloom.
I told you I
would be fine. And you lost all hope,
As I lay
comatose.
Gasping for
life, on my death bed, numb, cold,
As dead as a
doornail.
I did appear
in your dreams, didn’t I?
To let you
know that I am on a sabbatical from Life.
And I would
return just like the adamant waves to the shore,
But you
didn’t bother, you lost all hope!
As I lay
comatose,
I remember
everything. Each and every memory of you is as fresh as a bunch of
Blossomed
roses.
Our moonwalk
on the brightly lit stage, your sedate flips,
The lifts,
your moves, my whirls
And…you
trying to woo all those pretty girls
Was like a knife
twisting in my dark soul.
I felt so
miserable, so helpless, like the injured tree struck with innumerable
Shooting
arrows innumerable times by a skilled Archer.
It bled you
know, but no one could hear the sobs.
But I also
remember the long walks into the forest of nothingness,
Those
mesmerizing dance sessions,
Our secret
conversations, yours and mine, on open air roof tops,
How we sat there
the whole night, promising each other never to let go.
But you did
go, left me to die in this bone-chilling snow.
Did you not
say, “I promise to dance with you all my life,
dance with
you in the heaviest of rains,
in the
deadliest of storms?”
But then I
wonder if you remember me at all,
Any
lingering trace of me?
How I
looked, how I spoke,
My face,
My grace?
Or the red
satin gown I once wore, that you said matched the color of my lips,
Or the way
the satin, during the whirls, from your dexterous hands slipped?
My memories
have slipped from your head just like the satin,
Because you
consider me dead, when I am still alive, like a fish out of water, on
My death
bed!
Oh I know
you always had your eyes fixed on that blue eyed girl in the audience
Who sat on
the fourth chair in the first row!
And me? In
spite of being so close to you, shoulder by shoulder, arm in arm,
I felt so
distant.
So
hopelessly cold.
Our last
dance still flashes in front of my eyes,
Our dance in
the air, I can still feel the silky ribbons brushing my skin,
The
maddening crowd below, those cheering voices,
The shine on
your forehead, the twinkle in your eye,
The feel of
your fingers trailing along my belly cove,
Your touch,
oh what magic it wove.
And
The
dilapidated,
Mind
numbing,
Skull
shattering fall
That ruined
it all.
Everything is over.
The sun
hasn’t risen for decades on the arid stretch of my heart,
I am in
perpetual darkness here,
There is no
room,
For any
unwelcome memories, thoughts of you,
Because I am
unapologetically hopeless now
With still a
tiny ray of Hope, to bloom.
And
although, the red satin gown in my closet
still
reminds me of you,
It also
feels beautiful just to wear it, to feel its satiny material,
And although
it reminds me of your love, free like the wind; scattered, unbound,
It also
reminds me of my love, deep like water, intense and profound,
It is beckoning
me,
“Come, and
embrace me like a wailing mother embraces her
Lost child,”
it says,
Put on your
stilettoes, hold your head high and walk the aisle,
Show the
world your vanished smile.”
Must I do
that? Yes I must, if that should be the reason to live.
And my
reason to live is not you anymore,
Because you
vanished like smoke when I needed you the most.
But you know
what?
One thing
has stayed ever since my existence,
Ever since I
was a little girl.
I remember
tapping my feet to the rhythm of drumbeats,
Snapping my
fingers, swaying my waist, playing the same dance songs on repeat.
I remember
practicing my whirls,
While my dad
sat reading the newspaper
Listening to
old Bollywood numbers on the radio.
I remember
swaying my hips to Chittiyan Kalaiyan
at my cousin
Anisa’s Mehndi,
All eyes
were on me.
I remember
being proud
I remember
people asking me where I learned to dance so well,
People
telling my parents to enroll me in contests,
Put me on a
real stage.
But most
importantly,
I remember
being happy.
My dance has
yet again given me the strength
to simply let
go of disloyal human ties
And like a
smoldering phoenix rise.
It was while
dancing that I fell down in the darkest pit of sorrow,
And it is while
dancing I will rise
and make for
myself
a better tomorrow.
“The Nutcracker” (Shchelkunchik, Balet-feyeriya, opus 71) is a two-act ballet by Pyotr Ilyich Tchaikovsky. Marius Petipa,who had collaborated with Tchaikovsky on The Sleeping Beauty (Spyashchaya krasavitsa, opus 66) in 1889 was its choreographer and librettist; he began work on it in August 1892 but, due to illness, his assistant Lev Ivanov finished the choreography. Petipa gave Tchaikovsky extremely detailed instructions for the composition of each number, down to the tempo and number of bars. The “adagio” from the Grand pas de deux which immediately follows the “Waltz of the Flowers” was the result of a bet in which a friend insisted that Tchaikovsky could not write a melody based on a one-octave scale in sequence. The libretto was based on Alexandre Dumas père’s "The Tale of the Nutcracker" (Histoire d'un casse-noisette, 1844), an adaptation of E. T. A. Hoffmann's 1816 story "The Nutcracker and the Mouse King" (Nussknacker und Mausekönig). It premiered at the Mariinsky Theatre in Saint Petersburg on 18 December 1892, on a double-bill with Tchaikovsky's one-act opera Iolanta (opus 69) (Tcahikovsky’s final opera, its libretto was written by his brother Modest; “Nutcracker was also his final ballet.) is derived. It was staged as “Casse-Noisette. Ballet-féerie” since all of the Imperial Theater productions were titled in French, the Russian court’s official language. Though it has become perhaps the world’s most popular ballet, the original production was not a success though the 20-minute suite of 8 tunes which the composer extracted from it before its premiere has always been popular (it was first performed on 19 March 1892 at an assembly of the St. Petersburg branch of the Musical Society). The first complete performance of the ballet outside Russia took place in the UK in 1934, staged by Nicholas Sergeyev after Petipa's original choreography; it has been performed there annually since 1952; its first complete American performance was in 1944 by the San Francisco Ballet, and became an annual Christmas event.
ReplyDeleteThank you for the interesting information. Mr. Vorhees!!
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