Tuesday, November 28, 2017

Anca Mihaela Bruma writes



We Are the Children of Time



We are the Children of Time,
our dew drops mirror our World,
crossing the edges of eternal visions
as strings of inception crossing immortal times.



We move along with and through Time,
seeking the effervescence of future tenses
with stardust desires swirling in cymatic impressions
and the interludes opiating all human sensations.



We dance formlessly in holographic sceneries
with rippled reflections and silent similarities
forgetting our punctuations and connotations
only verbing the noun of our own Existence,
endlessly scrolling through the alchemic gravities
as glittering particles of an Ancient sophic apocrypha.



We paint our stories on celestial canvases
with memories of “Being” rather than on “Having”,
all of our emotions can break all the parenthesis
and build empyrean dreams and Life fantasies…



The hourglass reset its seconds for the Children of Time!
Seasons of Life: Spring
 Season of Life: Spring -- Blake Flynn

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Season of Life: Summer -- Blake Flynn

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Season of Life -- Blake Flynn

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Season of Life -- Blake Flynn

2 comments:

  1. In 1680 Robert Hooke ran a bow along the edge of a glass plate covered with flour and saw nodal patterns emerge. The German musician and physicist Ernst Chladni Chladni published "Entdeckungen über die Theorie des Klanges" (Discoveries on the Theory of Sound) in 1787, in which he noted that the modes of vibration of a membrane or a plate can be observed by sprinkling the vibrating surface with a fine dust, powder, flour, or fine sand), which moves due to the vibration and accumulates progressively in points of the surface corresponding to the sound vibration. The points form a discrete pattern of lines which is determined by the geometric shape of the surface and by the way it is constrained. In 1967 Hans Jenny, a follower of Rudolf Steiner, who in the early 20th century founded the anthroposophy movement, which attempted to synthesize science and spirituality, published "Kymatic" in 2 volumes (1967 and 1972) in which he applied Chladni's experiments to claim the existence of a subtle power based on the normal, symmetrical images made by sound waves. Jenny put sand, dust and fluids on a metal plate connected to an oscillator which could produce a broad spectrum of frequencies and then organized the substances into different structures characterized by geometric shapes typical of the frequency of the vibration emitted by the oscillator. he theorized that these structures, reminiscent of the mandala and other forms recurring in nature, would be a manifestation of an invisible force field of the vibrational energy that generated it.

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  2. Wow, such PERFECT pictures, just to describe the poetry moody. Excellent info too. Thank you greatly!!!

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