Thursday, November 30, 2017

Gabriella Garofalo writes




Actually, the water I loved and so many seagulls,

The harsh salty smell, they all mourning

The eyeless souls bereft of their fathers -

Well, fathers are the first items to go out of stock

When the market is up -

You know, ‘t was the deep of night, midnight maybe,

When she went into labour:

The sky but a campsite of sorry screams,

As the moon was shunning the birth

They were forcing on her,

And believe you me I saw them,

I saw the campsite -

Trees, paths and creeks are my family,

No, afraid I’ve got no kith and kin,

Afraid I care not for big cities,

Those feral passions that carve my limbs off,

Afraid I can’t hear that voice, that song

When green or blue yield and surrender -

Hey, hold on, look, they’re rambling

Through the roads, the red-soiled groves,

Why, where, don’t ask, they were born

To love the wind who rattles our tents,

To be in love with intractable suns -

Well, I can’t keep up with them, can I?

Certainly not, that’s why I lose my wandering prophets

And my landscapes always leave me behind.
 Image result for rearview paintings
Ghosting in the Rearview -- K. Ryan Henisey

Wednesday, November 29, 2017

David Norris shoots

Buddha and His Disciples, Wat Chom Si, Luang Prabang, Laos
 

JD DeHart writes



COMPOSITION

My hands, my feet
instruments of art for shaping
for touching world

These are the tools
that bind to mind
extended finger.
 The Hinterland
 The Hinterland -- Glenn Brown