Al Dugan (1923-2003)
when I walked into the
bathroom
he was drinking from a can of
Budweiser he shoved back into
his valise;
I followed the stench of his B.O.,
his brick red face
his corduroy jacket with
elbow patches,
up the corridor to the
classroom
where he had an argument with the
regular professor over the
quality of Joyce's poetry
(he thought "good")
and later
that night
Mahoney, my asshole poetry buddy
and me
went up to his suite,
where "guest lecturers" stayed,
and Al, Mahoney, and me
got drunk and
I shouted "long live Henry Miller!"
and Al asked
did I ever read Miller's essay
on money?
and I said "no" and
afterward
kept my mouth shut
and listened to Dugan and
Mahoney rap
back and forth
like the pot pipe being passed
and Al, at one point
brought out a poetry manuscript
given him by the college's poetry professor
whom Mahoney called a "lousy Hebe"
and Dugan said "my wife is Jewish"
and Mahoney said "I did not know,"
and I blacked-out and
when I came-to
remembered nothing else of the
night
except
Mahoney and Al,
thick as thieves,
had agreed
that the professor's manuscript
was "shit."
[Alan Dugan was a teacher of mine as well as
correspondent. His work won him the National Book Award, Pulitzer, and Prix de
Rome.]
Alan Dugan -- Raymond Elman
Alan Dugan won a Pulitzer Prize and the National book Award (twice, for his 1st and last collections). He had an interesting way of titling his books: "Poems," "Poems 2," "Poems 3," "Poems 4," "Poems Five: New and Collected Poems," "Poems Six," and "Poems Seven: New and Complete Poetry." One of his notable poems is "Love Song: I and Thou":
ReplyDeleteNothing is plumb, level, or square:
the studs are bowed, the joists
are shaky by nature, no piece fits
any other piece without a gap
or pinch, and bent nails
dance all over the surfacing
like maggots. By Christ
I am no carpenter. I built
the roof for myself, the walls
for myself, the floors
for myself, and got
hung up in it myself. I
danced with a purple thumb
at this house-warming, drunk
with my prime whiskey: rage.
Oh I spat rage’s nails
into the frame-up of my work:
it held. It settled plumb,
level, solid, square and true
for that great moment. Then
it screamed and went on through,
skewing as wrong the other way.
God damned it. This is hell,
but I planned it. I sawed it,
I nailed it, and I
will live in it until it kills me.
I can nail my left palm
to the left-hand crosspiece but
I can’t do everything myself.
I need a hand to nail the right,
a help, a love, a you, a wife.